The installation invites viewers to sit or lie down and immerse themselves in the various elements. The circles and semicircles on the wall and the two benches featuring hand-sewn cushions and blankets create an abstract landscape that serves as both an image and a place. The title, taken from Rebecca Solnit's 2005 book of essays, A Field Guide to Getting Lost, prompts meditation and poetic reflection, urging us to question our existence, the passage of time, and our navigation through the world.