This section presents installations and spatial interventions, spaces where the individual and collective meet through play, contemplation, learning and un-learning, such as Movement (Sun) Set and Supports for sitting, standing, leaning and dancing.

The projects in this group relate to or draw on the work of other artists, designers, writers, and personal archives or rework existing everyday objects and materials in new configurations, like Model for a Pedagogical Vehicle, Inheritance, and Journal.

A selection of performative pieces, interactive and participatory installations, and other works alluding to or highlighting movement and the gestural, including the restaging of Simone Forti's See Saw (1960) and the series Rörelse I-IV.

Wall Works focus on four installations that explore the idea of the wall and the relationship between the wall, body, and space, such as Brilliant Corners and Untitled (Gaps).

This collection highlights the projects dedicated to my grandfather, musician Hermann Scherchen (1891-1966), and his legacy as a conductor, publisher, and avant-garde music pioneer.

This section looks at works that take their cues from the book La soi-disant utopie du centre beaubourg, written by sociologist Albert Meister in 1976, like Juggler and 1012 KD.

This section covers selected exhibitions, including working spacing moving at Museum Dhondt-Dhaenens, From Day to Day at Malmö Konsthall, and Studies / Play at Lunds Konsthall.

The section features exhibition display for Merz! Flux! Pop!, Migration, Traces in an Art Collection, bauhaus imaginista , and others, along with the graphic design for the monograph Xenogenesis, by The Otolith Group.